![]() ![]() This forces the listener to come to terms with what Alzheimer's entails. The four tracks on Stage Six are not so much sad as upsetting, and they last upwards of 20 minutes at a time. It seems designed to drive the listener to madness.Įverywhere At The End Of Time's length lends it a unique force. "A Brutal Bliss Beyond This Empty Defeat," a swirl of repetitive noises and discordant notes, is a portrait of complete chaos and confusion. Snatches of music are hidden by obfuscating layers on "Long Decline Is Over," where the music remains frustratingly out of reach-at times you can sense it's there, but it's impossible to make out. On the opener, "Confusion So Thick You Forget Forgetting," foreboding drones dominate. Kirby has called Everywhere At The End Of Time's last three stages an attempt at making " listenable chaos."īy Stage Six, this approach reaches a harrowing peak. The music becomes unstable and patience-testing. These latter volumes attempt to capture the "post-awareness" stages, the point at which the patient no longer realizes they have a problem. But in subsequent parts Kirby brings The Caretaker into agonizing new realms. Crackly, century-old big band and ballroom songs are presented in their entirety. Each instalment charts the descent of Kirby's best-known musical persona into the ravages of Alzheimer's, which Kirby has called "this generation's health challenge now as we extend the lifespan possibly beyond our design."Įverywhere At The End Of Time's first three volumes cover familiar musical ground, almost like a recap of The Caretaker's past work. For Everywhere At The End Of Time, Kirby "diagnosed" the project with Alzheimer's disease, the most common form of dementia. "I just can't see where I can take it after this." The sound artist had just announced an ambitious six-part series, stretching over three years, that would spell the end of The Caretaker. "I think I'm coming to the end of The Caretaker," Leyland Kirby said in 2016. ![]()
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